Monday, March 9, 2009

Alvar Aalto & Marcel Breuer

Armchair 41, 1930
Alvar Aalto sometimes called the "Father of Modernism"experimented with materials, especially wood, and even applied for patents for the bending of wood as applied in his furniture designs and as acoustic screens in his buildings. The design of the chair may have been influenced by Marcel Breuer's metal Wassily Chair, though Aalto was generally negative towards metal furniture. The degree of bending of the wood tested the technical limits of that time.







Wassily chair, 1925-26
This chair was revolutionary in the use of the materials (bent tubular steel and canvas) and methods of manufacturing. It is said that the handlebar of Breuer's 'Adler bicycle inspired him to use steel tubing to build the chair, and it proved to be an appropriate material because it was available in quantity. The design (and all subsequent steel tubing furniture) was technologically feasible only because the German steel manufacturer Mannesmann had recently perfected a process for making seamless steel tubing. Previously, steel tubing had a welded seam, which would collapse when the tubing was bent.

Friday, March 6, 2009

Charles & Ray Eames and Le Corbusier

Eames lounge chair, 1956
The Eames lounge chair is a durable construction. Shells are seven-ply cherry, natural cherry, walnut, or santos palisander veneer; the base and back braces are die-cast aluminum.
Practical features. Cushions are individually upholstered and replaceable; back cushions are interchangeable; shock mounts are resilient natural rubber.



LC4 Chaise longue, 1928
Corbusier said: "Chairs are architecture, sofas are borguise."

T
his modern classic chaise lounge is characterized by its clean lines and exposed structural elements. Comfort is assured by allowing the user a choice of positions.

Frank O. Gehry and Poul Kjaerholm

Wiggle Side Chair, 1972
Frank O. Gehry succeeded in giving a new aesthetic dimension to such an everyday material as cardboard.


This piece of furniture is constructed with the architect's care as well as being very robust and stable. Approximately 60 layers of cardboard are held together by hidden screws with a fibreboard edging.





Hammock chair 24, 1965
Kjærholm’s design is characterized by its understated elegance, clean lines and remarkable attention to detail. Modest in means, but rich in expression.